N.º 95553120

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Danjūrō Ichikawa IX as Shirabyōshi Hanako「白拍子花子 市川団十郎」 - 1884 - Utagawa Kunisada III (1848-1920) - Japón -  Periodo Meiji (1868 -1912)
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Danjūrō Ichikawa IX as Shirabyōshi Hanako「白拍子花子 市川団十郎」 - 1884 - Utagawa Kunisada III (1848-1920) - Japón - Periodo Meiji (1868 -1912)

Good condition, SEE: https://commons.wikimedia.org/wiki/File:Danjūrō_Ichikawa_IX_as_Shirabyōshi_Hanako.jpg Author: Utagawa Kunimasa (歌川 国政, 1773 – December 26, 1810) was a Japanese ukiyo-e artist of the Utagawa school. He was originally from Aizu in Iwashiro Province and first worked in a dye shop after arriving in Edo (modern Tokyo). It was there that he was noticed by Utagawa Toyokuni, to whom he became apprenticed. Kunimasa is especially known for his yakusha-e portrait prints of kabuki actors, and for his bijin-ga pictures of beautiful women. Richard Lane described his style as striving to "combine the intensity of Sharaku with the decorative pageantry of his master Toyokuni". Those who make such comparison often say he failed to achieve the level of Sharaku's intensity.

N.º 95553120

Vendido
Danjūrō Ichikawa IX as Shirabyōshi Hanako「白拍子花子 市川団十郎」 - 1884 - Utagawa Kunisada III (1848-1920) - Japón -  Periodo Meiji (1868 -1912)

Danjūrō Ichikawa IX as Shirabyōshi Hanako「白拍子花子 市川団十郎」 - 1884 - Utagawa Kunisada III (1848-1920) - Japón - Periodo Meiji (1868 -1912)

Good condition,

SEE: https://commons.wikimedia.org/wiki/File:Danjūrō_Ichikawa_IX_as_Shirabyōshi_Hanako.jpg

Author:
Utagawa Kunimasa (歌川 国政, 1773 – December 26, 1810) was a Japanese ukiyo-e artist of the Utagawa school. He was originally from Aizu in Iwashiro Province and first worked in a dye shop after arriving in Edo (modern Tokyo). It was there that he was noticed by Utagawa Toyokuni, to whom he became apprenticed.

Kunimasa is especially known for his yakusha-e portrait prints of kabuki actors, and for his bijin-ga pictures of beautiful women. Richard Lane described his style as striving to "combine the intensity of Sharaku with the decorative pageantry of his master Toyokuni". Those who make such comparison often say he failed to achieve the level of Sharaku's intensity.

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